
Mural by @ishmaelbookart
From the beginning, when Daniel began hearing from readers of Ishmael the number one question asked was “What can I do to help save the world?” Daniel’s answer was always, “Do what you can, where you are.”
That’s what this section is about – people we’ve heard about who use their unique gifts, inspired by their reading of Ishmael or the succeeding books, and do what they can where they are. The stories here are just the few that we happen to know.
But there are many, many, many more. If you have a story you’d like to share about how you were inspired by Ishmael, or any of Daniel’s books, please tell us about it.
Have a look at our NEW PAGE Ishmael Readers Doing Things – also inspired by, but more indirectly.
ARTWORK
My friend #danielquinn died a few months ago. I talked to him a month before he died. He was finishing his final writing called the 6th extinction.
Climate crisis and high population is pushing humans and animals (same thing) towards a massive die off in a perfectly ordinary way. This subject matter is heavy for me. It’s hard to face how out of balance most of us humans are.
I do my best, in my way to face it and discuss it. Once you see it you can’t unsee it. Once you learn it you can’t unlearn it.

“‘Teacher seeks pupil. Must have an earnest desire to save the world.’
This sentence on the first page is what hooked me right away. And it perfectly explains my journey of reading Ishmael. Daniel’s words impacted me and my work in a way that changed my whole perception of the human species and our interaction with the natural world.
Since reading this book, I’ve dedicated my creative practice in elevating the message of Ishmael.”
~ Stefán Yngvi Pétursson
Stefán is a freelance ethical art illustrator, so if you need amazing illustrations or want to own some of his art, contact Stefán!
See more of Stefán’s work:
Instagram: @sstyngvi
Website: www.styngvi.com
Well-known animal sculptor Bart Walter, who had created two chimpanzee’s for the Jane Goodall institute, also sold one to Salisbury University in Maryland for their extensive outdoor art collection. At that time Bart was given a copy of Ishmael by one of the university executives and was captivated by it. Consequently, he was commissioned by the university to create a life-sized sculpture of Ishmael to add to the school’s collection.
Ishmael had a popular life at Salisbury in the mid-nineties, being read and shared among administrators, faculty, and students. It was used as reading for incoming freshmen in their Orientation in the Wilderness program and in various classes, so it was a natural extension to add a statue of the gorilla teacher to their campus.
In July 1995 Daniel received a letter from the university executive vice president enclosing some color copies of the clay model Bart had created so that Daniel could see the work in progress. He said, “The mold has been completed and the casting will begin shortly. We expect the first casting to be available in late August or September.” As it turned out, the final piece was delivered to the school in October, but the anticipated unveiling and dedication of the sculpture was not until Earth Day, April 22, 1996.
The photos here will give you an idea of the sculpture – from its initial clay model in the artist’s studio to it’s final place in the Salisbury campus outdoor art collection.
>>> More background story and pictures with Daniel at the unveiling are on the EVENTS page.<<<
But for a sense of what it was like to see Ishmael up close and personal, read this story “When a 450-lb Gorilla Says ‘Take Me Home,’ You Listen.” (In addition to the Salisbury Ishmael, several other sculptures were cast and made available for sale by the artist. So while people might not have realized they were actually taking Ishmael home, many might have been strangely affected by him.)
Clay model of Ishmael
Finished bronze of Ishmael on Salisbury campus
Daniel Quinn and Bart Walter, sculptor, at the unveiling of the Ishmael statue,
Salisbury State University, MD
I am a teacher and artist in Chinese brush painting and Japanese woodblock printing. I made these portraits of Ishmael and many studies. They were done in Chinese ink and water base pigments on sized hand made “cicada wing”paper and hand made Chinese”Xuan” paper (rice paper). I used very fine Chinese brushes.
I specialize in painting animals, bird and flowers. I enjoyed every stroke of my brush, fully inspired by Daniel’s Ishmael…and I am so very thankful.
~ Alejandro Angio
See more of Alejandro’s work on Instagram: @alejandro_angio
DAAS has painted 3 excellent portraits of Ishmael. 2 acrylic paintings and one large mural. We’re pleased to feature them on the Ishmael.org website! Please check out his website and social pages for more info on DAAS and his work.
https://www.artist-daas.com/
https://www.instagram.com/daas/
https://www.facebook.com/artist.daas
https://twitter.com/artist_daas
Cartoonist Stuart McMillen provides an excellent example of the principle that everyone has to do what is within his or her range of talents and circle of influence in relating to others their experience.
His two-part comic, “The New Purpose,” which he says is inspired by Ishmael and the idea that “You have to give them a new story to replace it.”
You can see it in its entirety here: http://www.stuartmcmillen.com/comic/purpose.
Here’s what Joel said about himself and this painting, for which he used a website photo of Daniel as the model:
“I’m just an amateur self-taught painter from Mexico. I don’t consider myself an artist since I enjoy painting just like some people enjoy solving jigsaw puzzles. That’s why I have no problem making copies of my favorite famous paintings most of the time instead of creating my own. I have a few paintings of mine but only Mr. Quinn’s books and ideas have really inspired me to strive using all I know to create this homage portrait. Hopefully I’ll continue improving in order to share his vision to others not only thru art but in anyway I can.”
See Joel’s art on: https://www.flickr.com/photos/joelmontesgarza/
In the summer of 1998 Scott Valentine, aka Scotty Tuesday, arrived in Houston from Canada with his guitar and a self-portrait (the only painting he ever did) as a gift to Daniel, which he said he was compelled to create to show how he felt before and after reading Ishmael.
Scott participated in the seminar sessions with Daniel that summer and also spent many hours in dialogue with him, in much the same way as the student in If They Give You Lined Paper, Write Sideways.
He’s always been working to translate what he learned into his own way of expressing the message, and his way was music. “The Greatest Message of Hope” is a song Scott wrote featuring live excerpts from “The Ishmael Imperative,” a talk Daniel gave at gave at Rice University’s Hammond Hall in 1998.
The Greatest Message of Hope
A song by Scotty Tuesday with the words and voice of Daniel Quinn.
Listen on Spotify
MUSIC
“Discovering Daniel Quinn was like finding the seventh side of a cube.”
Mike Merenda

Will Bryant, Ruth Ungar, Brandon Morrison, Mike Merenda, Konrad Meissner – Photo by Vanessa Van Burek
Beyond Civilization
Nonet album

Inspired People Change Minds.
Since discovering Daniel Quinn several years ago his work has had a profound resonance within my own. I am a songwriter. And what I love about songwriting is it’s unique ability to entertain and enlighten in the span of just a few minutes!
What Daniel Quinn has given me is validation. Since my youth I have suspected that something is not quite right with our culture. I’ve also harbored a secret, queer intuition that something big is going to occur during my lifetime. Daniel has validated and affirmed these suspicions. Something is wrong. And something big is going to happen in the coming decades, like it or not, be it our demise . . . or our renaissance.
Since the early days The Mammals have been thought of as topical songwriters in the tradition of Woody Guthrie and Pete Seeger. Over the years we’ve sung about injustices we’ve seen and have written plenty of “finger-pointy” songs. But as we grew and evolved as artists we realized: it’s more productive to sing about what you’re for than what you’re against.
As It turns out, what we’re for is nothing short of averting extinction. And while my suspicions about how off course we’ve gotten were real, Daniel provided the map – and the exquisitely articulated context – for how, when, and where we lost our way. And more importantly, how we might get back on the right track.
Armed with this revolutionary perspective I’m emboldened, willing and prepared to continue sharing these lessons in the pursuit of changing minds, one at a time, and by any means possible. Songs don’t change the world, people do. Inspired people do. That is what we aim to do with our songs: share the stories that inspire you to change the world.
Mike Merenda – The Mammals

About Beyond Civilization
I love this idea: Beyond Civilization. Two words that turn reality on it’s head. The first time I read them I knew I wanted to turn them into a song. It’s a very simple song. And it speaks to the “post-Quinn” phenomenon: after reading Daniel Quinn you will never see the world with the same eyes again. You recognize the bars of the cage. You see the connectivity of all things. You see your part in it all.
Just the very idea that we can move beyond civilization is revolutionary. Revolutionary in it’s pacifism. That we can move beyond without destroying (the only other approach I had seen proposed on the subject). We can create the new way that renders the old way obsolete. We can evolve. It’s happening already. Can you feel it?
“Here are the four songs from the Nonet album that grew directly from reading Daniel’s work”.
Have a listen – they are WONDERFUL! We love the songs and we love The Mammals!
Please support The Mammals and buy their music – links below. ❤️ 🦍
Beyond Civilization
If You Could Hear Me Now
Radio Signal
What It All Is
Please CLICK HERE for Song by Song background narratives – it’s a great read >
CLICK HERE for the song lyrics >

Ruth Ungar, Mike Merenda | Ruth, Brandon Morrison, Mike, Jacob Silver, Will Bryant, Charlie Rose,
Lee Falco, Ken Maiuri, Konrad Meissner – Photos by Tom Eberhardt Smith
Please visit our friends The Mammals social and music pages:
SOCIAL
• www.themammals.love
• www.facebook.com/themammalsUSA
• www.instagram.com/_themammals
• www.twitter.com/_themammals
• www.youtube.com/themammals
BANDCAMP
• themammals.bandcamp.com/album/nonet
SPOTIFY
• click here for Spotify
LYRICS
• click here for the lyrics

Daniel is on the Thank You panel!
Thank You Mike & Ruthy!
Click on any of the album cover images for a larger view.
“This Daniel Quinn book, Ishmael…I’ve never recommended a book before,
But I would actually, in an interview, recommend it to everyone….”
– Eddie Vedder
Yield album
Pearl Jam released Yield in 1998. Several songs on the album were inspired by literary works, including Mikhail Bulgakov’s novel The Master and Margarita (“Pilate”), Daniel Quinn’s novel Ishmael (“Do the Evolution”), and the writings of Charles Bukowski (“In Hiding”).
The album title is rooted in the idea of “yielding to nature,” a theme central to Daniel Quinn’s novel Ishmael. The band members read the book while working on the album.
Lyrically, Yield continued with the more contemplative type of writing found on No Code. Vedder said that while “in the past we got really angry and we cried out against many things in our songs,” he considered that when “you become an adult you have to express your energy in a different way, more calm.”
This led to songs that, while not eschewing “the bad side of life,” ended up “facing it from a more positive point of view, looking for a way to solve it. In the past we said: what a shit, this stinks, that sucks, everything sucks… Now it’s time to say: stop, let’s look for a solution, let’s be positive.”
Do the Evolution – song and video
Do the Evolution – Click here for the lyrics
When speaking about “Do the Evolution”, Vedder stated, “That song is all about someone who’s drunk with technology, who thinks they’re the controlling living being on this planet. It’s another one I’m not singing as myself.”
Pearl Jam has stated that the novel Ishmael influenced the writing of Yield, and according to the novel’s writer, Daniel Quinn, this song comes the closest to expressing the ideas of the book.
Vedder quoted in an interview with Dave Marsh for Addicted to Noise – Pearl Jam’s New Day Rising, 1998:
“Things have changed so much in the last 30 years. And even in the last five, with technology. And what’s gonna happen in the next 20, I don’t think we can quite grasp. So I’m nervous, and I think, I’m getting into some kind of spiritual path here, but … This Daniel Quinn book, Ishmael... I’ve never recommended a book before, but I would actually, in an interview, recommend it to everyone. I think recommending books is a little pretentious, because they take time to read, and this one is maybe two or three days or something. It’s a little more of an investment than a candy bar.
But this book, it’s kind of the book of my … My whole year has been kind of with these thoughts in mind. And on an evolutionary level, that man has been on this planet for 3 million years, so that you have this number line that goes like this (hands wide apart). And that we’re about to celebrate the year 2000, which is this (holds hands less than one inch apart).
So here’s this number line; here’s what we know and celebrate. This book is a conversation with a man and an ape. And the ape really has it all together. He kinda knows the differences between him and the man, and points out how slight they are, and it creates an easy analogy for what man has done, thinking that they were the end-all. That man is the end-all thing on this earth. That the earth was around even so much longer before the 3 million years. Fifty million years of sharks and all these living things. Then man comes out of the muck, and 3 million years later he’s standing, and now he’s controlling everything and killing it. Just in the last hundred! Which is just a speck on this line. So what are we doin’ here?”
“This is just a good reminder,” he added. “And I’m anxious to see what happens. You know, I’ve got a good seat for whatever happens next. It’ll be interesting.”
Pearl Jam also held a contest for their fan club in which members were asked to create a work of art displaying what Ishmael meant to them. The band said in their fan club letter, “This book was passed around during the last recording session, and we pass it on to you… You could almost go as far as saying that the liner notes to the record are in there.”
https://pearljam.com/
https://www.instagram.com/pearljam/
https://www.facebook.com/PearlJam
https://www.facebook.com/EddieVedder/
Wikipedia links:
https://en.wikipedia.org/wiki/Yield_(album)
https://en.wikipedia.org/wiki/Do_the_Evolution
Addicted to Noise, Dave Marsh interview with PJ – read the Ishmael part here and the entire article here.
Thank you WayBack Machine!
Daniel responds to a question about Yield:
New interest in Ishmael, as I’m sure you know, has been spawned by the band Pearl Jam in the last year. Do you have any thoughts about their use of the book as inspiration for the production of their album Yield and more specifically the song “Do the Evolution”? Just wondering if you’d heard it and what you thought.
Yield sits on my desktop and I often give it a listen (in fact, writing this answer gave me an excuse to play it again).
A teacher once told me that even though he wasn’t teaching Ishmael or the material in Ishmael, the book had changed the WAY he teaches. This pleased me more than if he’d said he was teaching my ideas.
Another went to a lot of trouble to try to capture all the ideas in my books in a ninety-minute “motivational” speech. I told him he shouldn’t just try to capture my ideas in his words, he had to go BEYOND my ideas to find his OWN ideas, his OWN way of motivating people.
This is what Eddie Vedder has done. He hasn’t tried to express my ideas in his songs. Changed by reading my work, he’s written songs he wouldn’t have written two years ago – but his own songs, not any songs I would ever write (if I were a song-writer).
Inspiration is very different from recapitulation.
Of the songs in Yield, “Do the Evolution” comes closest to being an expression of my ideas, but I suspect Vedder would find many other, more subtle connections.
Two or three writers have changed my life forever in works I haven’t read for decades. I’m certainly not writing anything they would write – but the “inspiration” they gave me never goes away.
DQ 1998
Do the Evolution - by Pearl Jam
Woo
I’m ahead, I’m a man
I’m the first mammal to wear pants, yeah
I’m at peace with my lust
I can kill ’cause in god I trust, yeah
It’s evolution, baby, yeah
I’m at peace, I’m the man
Buying stocks on the day of the crash, yeah
On the loose, I’m a truck
All the rolling hills, I’ll flatten ’em out, yeah
It’s herd behavior, uh huh
It’s evolution, baby, good
Admire me, admire my home
Admire my son, he’s my clone
Yeah, yeah, yeah, yeah
This land is mine, this land is free
I’ll do what I want but irresponsibly
It’s evolution, baby, uh
I’m a thief, I’m a liar
There’s my church, I sing in the choir
Hallelujah
Hallelujah
Admire me, admire my home
Admire my son, admire my clones
‘Cause we know, appetite for a nightly feast
Those ignorant Indians got nothin’ on me
Nothin’, why?
Because it’s evolution, baby
I am ahead, I am advanced
I am the first mammal to make plans, yeah
I crawled the earth, but now I’m higher
2010, watch it go to fire
It’s evolution, baby, ugh
It’s evolution, baby
Ah, do the evolution
Come on, come on, come on
Songwriters: Eddie Vedder / Stone Gossard
“I spent a lot of time writing that song, probably the most of any song in my life,”
Bardo Martinez – The Taker Story
Freedom is Free album
In early 2017 the Los Angeles based band Chicano Batman released the album “Freedom is Free”. One of the songs on the album was “The Taker Story“, inspired by Daniel Quinn’s novel Ishmael.
Below is an excerpt from the Los Angeles Times 2017 article Chicano Batman takes on the 800-pound gorilla with ‘Freedom Is Free’, by August Brown:
Chicano Batman’s new song, “The Taker Story,” is surely the first 2017 resistance anthem to be inspired by a telepathic gorilla.
The L.A. band’s frontman, Bardo Martinez, recently read and loved Daniel Quinn’s 1992 novel, Ishmael, a work of magical realism from the point of view of a primate whose captive life gave him insights into humans’ self-destructiveness. Its philosophy – that we can’t escape nature and humanity needs new myths about itself to survive – hit Martinez hard amid the fear and anger of the recent election season.
So on “Taker Story,” a ruminative single inspired by ’60s radicalism and ’70s soul, he wrote a new dispatch from the front lines of ecological collapse and cultural genocide. It’s a centerpiece of the band’s third album, “Freedom Is Free.”
“I spent a lot of time writing that song, probably the most of any song in my life,” Martinez said. “The Bible is a cry of an oppressed people describing their slaughter, so future people don’t make the same mistakes. But now we’re going to build a pipeline in the Dakotas on the land of a people who’ve been trampled on. It’s an age-old story.”
Read the full LA Times article here: Chicano Batman takes on the 800-pound gorilla with ‘Freedom Is Free’.
The Taker Story
The Taker Story – Click here for the lyrics
Martinez isn’t naive about music’s ability to heal everything. But like the Ishmael that inspired “Taker Story,” simply getting this all on record is an act of hope.
“As people see corporations and the pillars of our society eroding, this band is promoting its own economy,” Martinez said. “We’re just playing shows, but we’re promoting ideas that go against the status quo.”
While Ishmael.org loves The Taker Story best, Freedom is Free is all-around excellent album worthy of your record collection!
See links below to purchase.
A few reviews: NPR Review, Pop Matters Review, Glide Magazine Review
Pop Matters excerpt:
One of the album’s most impressive tracks is one that enjoyed a relatively long gestation period. Martinez confesses to taking a long time to write “The Taker Story”, inspired in large part by Daniel Quinn’s novel Ishmael. Backed by an almost hypnotic funk groove, Martinez both speaks and sings the lyrics, which focus on the destruction humans foist upon both themselves and the planet, in addition to their assumed superiority over all creatures. “We’ve been enacting the story for twelve thousand years / The one that says man must follow no natural laws / The one that says that man is distinctly set from every living thing / That man is the end result of evolution.” This isn’t just mere protest – it’s putting injustice in the context of the entire history of existence. Heady stuff.

Chicano Batman members Carlos Arevalo, Bardo Martinez, Eduardo Arenas and Gabriel Villa.
Photo by Josue Rivas.
Please visit our friends Chicano Batman social and music pages:
http://chicanobatman.com
https://www.facebook.com/chicanobatman
https://www.instagram.com/chicanobatman
https://www.instagram.com/b.a.r.d.o__
https://twitter.com/ChicanoBatman
https://www.youtube.com/user/chicanobatman/videos
The Taker Story - by Chicano Batman
Can you name me a living creature
That kills all it’s competitors for food?
And when they’re gone he kills the
Competitors of its food’s food too
I’m talking about the birds, the aphids
The insects, and the trees
Cuz’ there’s innumerable extinct species among these
We’ve been enacting a story for 12,000 years
The one that says that man must follow no natural law
The one that says that man is distinctly separate
From every living thing
That man is the end result of evolution
That man is the end result of evolution
Yes the clan of Cain killed the clan of Abel
So that Cain could bear the fruit of Abel’s land
So man has been killing his brother from the
Beginning of the agricultural revolution
Mass killings and mass graves, globalization of slaves
Genocide and extinction
All the functions of civilization
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Mass killings and mass graves, globalization of slaves
Genocide and extinction
All the functions of civilization
Yes you know that the war will never be over
Cuz’ war is our bread and butter
Cuz’ we’re living a lie that says there’s no place for any other
Living creature that doesn’t think like you and me
Yes now we’re going to the root of the Taker Story:
We decide what’s good and bad for the entire universe
And if what you do don’t work for us we’ll turn you into dust
You savages are wild so naked and so free
If you don’t want to die you have to live like me
You Takers take and take and take and take and take
You Takers take and take and take and take and take
So even though you won’t believe it native people are still around
They treat the earth with respect they know it’s sacred ground
They live in remote places the takers still can’t colonize
They are the true voice of reason they have nature’s eyes
They’ve been enacting the story for 3 million years
The one that says that human must obey natural law
The one that says that human is connected to every living thing
That man is only one strand in the web of life
Take the dagger out your mind
Take the Taker out your soul
When you do you’ll find
The Taker’s lost control
The Taker’s lost control
The Taker’s lost control
The Taker’s lost control
The Taker’s lost control
The Takers take and take and take and take and take
The Takers take and take and take and take and take
Songwriters: Gabriel Jose Villa / Eduardo Arenas / Bardo Martinez / Carlos Arevalo
The Taker Story lyrics © Chicano Batman Publishing
Travid Halton – Obsessions, The Great Remembering
Quinn has inspired me in many ways but the thing that I’m mostly grateful for is that he inspired me to read more fiction. Through Quinn, I’ve discovered so many other wonderful writers who have profoundly enriched my life – Wallace Stegner, Ursula K. Le Guin, Kim Stanley Robinson, Walter Van Tilburg Clark. Before reading Quinn, I might have never believed that these other writers would have so much to offer me.
I went to university for anthropology from 2008 to 2012, which is when I read Quinn for the first time, but neither of my parents even graduated from high school. My father was a talented artist and carpenter by trade and my mother took care of the house to the extent that she could but she suffered from severe schizoaffective disorder and was often bedridden or hospitalized. Growing up in this environment, I’d felt for much of my life that I was desperately behind many of my peers and I’d often been moved with a sense of urgency to try and catch up. It seemed to me that if I were going to learn anything true about myself or the world around me, I didn’t have time to waste reading novels. This is so obviously foolish to me now because anybody who’s read much fiction has realized sooner or later that you can often learn more from novels than you can from textbooks. We live in world full of people and it is precisely an understanding of people that novels can give you.
I read The Story of B in 2011 soon after I finished Ishmael. And much to my surprise [spoiler alert], I of course became B and felt inspired to spread the message. But because I couldn’t match the knowledge or the abilities of Daniel Quinn as a novelist, I thought maybe I could do this through music. I thought, if B were a musician, how would this person continue the public teachings?
American folk music has a rich tradition of confronting political, economic and social issues, of fostering a sense of community and solidarity and inspiring those communities to organize and support each other through mutual aid and direct action. I thought it would be interesting to take the lectures, The Great Forgetting and The Great Remembering, and to make them into a kind of folk song in the spirit of Joe Hill or Harry McClintock.
“Obsessions” is a very personal album. Near the beginning of the pandemic in the summer of 2020, I was diagnosed with OCD, an anxiety disorder I’ve struggled with at various times throughout my life. When I started therapy, I read Man’s Search for Meaning and it inspired me to start writing music again which gave me something to focus on during the hardest period of my recovery. I revived a couple songs from a demo I recorded between 2013 and 2014 and started writing new material that explored various aspects and themes of living with OCD and many of the difficulties of trying to understand and overcome this disorder. It probably seems like The Story of B and The Great Remembering should have nothing to do with any of this. But as I reflected on what I was learning through therapy, it occurred to me that the key to my recovery was similar in many ways to at least part of the message running through Quinn’s novels.
Ishmael, The Story of B and My Ishmael each present a view of the world we live in as occupied by two primary cultures that Quinn referred to as the takers and the leavers. Quinn wrote of culture as a story enacted by a group of people which struck me as a profound and useful way to think about human behavior. The taker culture is essentially a culture of control while the leaver culture is essentially one of acceptance. The taker culture is based on the irrational belief that to not have control is dangerous and that the more control you have, the better off you’ll be. This is essentially the premise of OCD. Quinn said if we are going to save the world, we have to get out from under the irrational myths that permeate our society. As I was learning from therapy, if you are going to save yourself, you have to get out from under the irrational beliefs that permeate your life. My recovery involved remembering my own painful past and identifying the irrational beliefs I had acquired as a child and the unhealthy strategies I had learned to cope in a difficult situation. In the end, I’ve had to learn to dispute those beliefs and replace them with rational healthy alternatives. And so it seemed fitting to conclude the album with this song that I had written many years ago and to try to spread the message of B at the same time.
The Great Remembering
The Great Remembering – Click here for the lyrics
Obsessions, front & back cover
Please visit our friend Travid Halton’s social and music pages:
Apple Music
YouTube
BandCamp
Spotify
Travid was profiled in Houston City Book, July 2024! Click here to read the article.
The Great Remembering - by Travid Halton
Sun was shining
The rain was coming down
Coyotes were getting married
While the white man raped the ground
They frolicked through his field
Chasing chickens in the hunt
A flesh feast for their wedding day
Blood stained in their love
He caught them in the grove
Lying naked in the shade
They snarled at his pointed gun
And they tried to run away
He shot her in the chest
And put a bullet in his head
And left them by the sweetgum tree
“What’s mine is mine.” he said
Man built an aircraft
That he could never fly
He pushed it off a mountain
And soon someday he’ll die
He slashed and burned the forest
When he picked up the plough
He forgot where he came from
But he remembers now
There in the grove
Where the sleeping lovers lay
A hawk flew down to bless their bones
Before they bled away
She flew back to the field
Where the strangler choked the air
With poison for the thieves who would feed
Upon the boon his crops would bear
She perched upon a bough
And let out a solemn call
She told him of his wrongful ways
And warned him of his fall
“I don’t give a damn.,” he said
“This land belongs to me.”
His teeth dug deep in the forbidden fruit
From the consecrated tree
Man built an aircraft
That he could never fly
He pushed it off a mountain
And soon someday he’ll die
He slashed and burned the forest
When he picked up the plough
He forgot where he came from
But he remembers now
Down by the creek
Where the gentle water flows
Swallowing the scourge that seeps
Through the soil deep below
The taker knelt beside the stream
To wash his savior’s band
When a snake slithered softly toward his feet
And struck his sinful hand
Startled he stood
And stumbled back before he fell
Into the creek; he hit his head
And went to sleep under the spell
There on the bank
Near their bones beside the tree
Was glistening under the sun
The cross that set them free
Man built an aircraft
That he could never fly
He pushed it off a mountain
And soon someday he’ll die
He slashed and burned the forest
When he picked up the plough
He forgot where he came from
But he remembers now
““The hour in which we realize the eternal occurrence of life lies in perception,
we become the true masters of the fate that we love” ”
Earth Brothers
LEAVER | TAKER album
Earth Brothers is an instrumental progressive metal band from southeastern New Mexico, that uses musical motifs and thematic spoken word to convey ideas that are centered around environmentalism, the importance of love, living an examined life, and the human connection with the world and all the beings that inhabit it.
The initial release of the band was a double-EP titled Leaver | Taker which is heavily influenced by the work of Daniel Quinn and his book Ishmael (as well as his subsequent work and recommended readings). Musically, Earth Brothers take Quinn’s themes literally by creating two opposing soundscapes based on the categorical differences between being a “Leaver” and being a “Taker”. Leaver being a more relaxed and immersive experience while Taker is a darker, in your face metal sound.
The track Savage on Taker includes a short spoken word section that discusses the cyclical nature of life and the subjective nature of reality. There is a distinct focus on Nietzsche’s theme of eternal recurrence and rather than embracing the nihilism and hopelessness that sometimes follows this philosophical approach, instead focuses on the opportunity to live harmoniously in this cycle in a way that benefits all the beings of the world. This idea is crystallized in the final line of the song:
“The hour in which we realize the eternal occurrence of life lies in perception,
we become the true masters of the fate that we love”
Subsequent releases from the band have followed these themes and ideas and have attempted to continue the work of Daniel Quinn through music and surrounding material they have published. The band feels that the works of Daniel Quinn and the message that he worked tirelessly to spread are more important now than ever as our impact on the planet and our relationship to each other as human beings swings on a pendulum on which the Earth balances precariously.
The Earth Brothers are incredibly thankful for the work of Daniel Quinn and the people that have continued his work to build a better world.
Earth Brothers Leaver | Taker
Please visit our friends Earth Brothers social and music pages:
http://earthbrothers.co
https://www.instagram.com/earthbrothers
https://www.facebook.com/earthbrothers
Music links: https://linktr.ee/earthbrothers
MAGAZINES & PODCASTS
“Quinn’s ideas have reshaped my perspective,
challenging my view of the dominant society we live in.”
Jack Whayland
Quinn’s Influence on Jetty’s Recent Work: Mother Nature vs. Mother Culture
Eight years ago, I read Ishmael for the first time (the first of many). As a young man, I was immediately struck by Daniel Quinn’s ability to address real-world issues through the unique concept of a talking gorilla. Since then, I’ve recommended the book to everyone I know, often buying copies for others. I’ve also read his other works, including My Ishmael and The Story of B, all of which have profoundly inspired me.
Quinn’s ideas have reshaped my perspective, challenging my view of the dominant society we live in. His work has also drawn me closer to nature, inspiring a love for camping, backpacking, and a deeper appreciation for a more ‘detached’ way of living. It has filled me with hope, excitement, and countless moments of joy.
I read Ishmael for the third time about a year ago, during a transformative van-life experience across the west coast. I distinctly remember curling up in my cozy tent, nestled in the redwoods, reading more than I ever had in one sitting. Every page reminded of Daniel’s knowledge, inspiration, and excitement about the world that surrounds us. I was once again enthralled, and deeply inspired.
In that moment, I decided to combine two of my greatest passions; environmental appreciation and visual storytelling. I gathered friends, creatives, and storytellers to conceptualize what would become Mother Nature vs. Mother Culture.
The magazine draws profound inspiration from Ishmael and My Ishmael, particularly in exploring the Leavers vs. Takers dichotomy and the unconscious influence of Mother Culture on society. Like Quinn’s work, the magazine challenges the assumption that human progress is inherently beneficial, questioning whether technological advancement and consumerism have pulled us away from a more instinctive, balanced way of living.
Many pieces echo Quinn’s critique of Taker culture, shedding light on the environmental and personal consequences of a world that prioritizes domination over coexistence. At the same time, the magazine embodies Quinn’s hopefulness, encouraging readers to break free from self-imposed constraints and imagine alternative paths. Through themes of rewilding, adventure, connection, and sustainability, it invites readers to step outside of conventional norms and embrace their own journey toward a more harmonious existence, much like My Ishmael envisions new social structures beyond the limitations of modern civilization.
The final piece in the magazine offers a sense of hope, urging readers to embrace their role as bridge between nature and culture, carving their own path and seeking a life of true freedom. By blending personal narratives, essays, and visual storytelling, Mother Nature vs. Mother Culture serves as a contemporary reflection of Quinn’s philosophy. It encourages readers to step back from the negative aspects of culture and reconsider their role in the world. I hope that its stories inspire readers, even if just a fraction as much as Quinn’s works have inspired me.
~ Jack Whayland – Jetty Media Group
Visit our friends at Mother Nature vs Mother Culture:
DOWNLOAD THE PDF MAGAZINE
Mother Nature versus Mother Culture
DIGITAL LINK – ISSUU
Mother Nature versus Mother Culture
INSTAGRAM
@jettymediagroup
JETTY MEDIA GROUP
Website
Human Nature Odyssey
Alex Leff
The Story.
The summer before starting high school I was assigned to read this book called “Ishmael” by some guy named Daniel Quinn. At the time, reading over my summer vacation was the last thing I wanted to do.
But Ishmael planted seeds in my mind that have been growing ever since. Ishmael spoke to the things that felt so weird to me, gave context to the strange culture I was born into, how things came to be this way. And in the end, how things might be different.
Years later, I became a documentary filmmaker, immersive theater creator, and now the host of a podcast.
Human Nature Odyssey is a podcast about humanity, civilization, and the fate of the world. It’s a search for better ways to understand and more clearly experience the incredible, terrifying, and ridiculous world we live in.
The first stop on our quest through a landscape of ideas and stories is a seven episode in-depth analysis, reimagining, and companion to Ishmael by Daniel Quinn.
Alex Leff – Human Nature Odyssey
Human Nature Odyssey – Episode 1
Human Nature Odyssey – Episode 2
Instagram: www.instagram.com/humannatureodyssey
Website: www.humannatureodyssey.com
Patreon: www.patreon.com/humannatureodyssey
Death in the Garden
Jake Marquez and Maren Morgan
After we began working on a documentary project seeking to understand the ecological crisis, a friend of ours encouraged us to start reading Daniel Quinn’s work. Beginning with reading The Invisibility of Success, we realized while reading Quinn’s work that everything we had been experiencing through our exploration of civilization, the food system, and the narratives of our time had already been articulated by Quinn.
Ever since this first introduction, we’ve read all of his other works and have incorporated his message into our work in innumerable ways and have been endlessly inspired by his perspective. Like B in The Story of B, we hope to transmute his message into the world in our own way with our own flair, keeping the torch alive so that people can continue to see through Mother Culture and the outdated myths and stories that are keeping us stuck in a culture destined to destroy itself.
Death in The Garden is a multimedia project including film, writing, and podcasts aiming to explore the converging crises we face through a mythological, philosophical, ecological, psychological, and historical lens.
Our project explores themes around civilization, culture, agriculture, colonialism, industrialism, and seeks to understand humanity from a compassionate yet honest lens.
Jake Marquez and Maren Morgan – Death in the Garden
The Dam and the Canal: a Parable – a Reading by Maren
Unpacking Cultural Memes about the World with Jake and Maren
Substack: www.deathinthegarden.substack.com
Instagram: www.instagram.com/deathinthegarden
Twitter: www.twitter.com/death_thegarden
Patreon: www.patreon.com/deathinthegarden
Maren Morgan and Jake Marquez
FILM & VIDEO
About Greg Lowe’s film, The Eighth City, Daniel said: “From now on, when people ask me, ‘What’s it about?’ (meaning Ishmael) I’m going to send them to The Eighth City. It doesn’t say a word about ‘what it’s about,’ it shows what happens to those who read it (which is all that counts).”
You can watch the terrific 22-minute film here or on Vimeo: https://vimeo.com/70997953
Find out what Greg Lowe’s NeoTribalist Films has in the works now at http://www.neotribalistfilms.com
The Great Lie – teachings of Daniel Quinn / Ishmael
The very day Nicholas Dunn is to become a billionaire he comes face to face with the toll his “American Dream” has exacted on the world around him in a most personal way. Nick’s crisis of conscience is the story of a man and his culture – and the possibilities another story might afford us all.
The Great Lie – teachings of Daniel Quinn/ Ishmael from Lance Hubp on Vimeo.
It was created by Juliann Bi when she was a junior in high school after after reading Ishmael for an AP Environmental Sciences class. The assignment was: read the book, then produce a project to demonstrate your understanding of the differences between Leavers and Takers.
In a note to us, Juliann said, “The film, to be honest, was a spur-of-the moment decision for me. I would’ve just done an old school poster presentation, but I decided to try the iMovie that’s been wasting away on my laptop for about a year now.”
We’re delighted she didn’t settle for just a poster!
Mother Culture’s Story by Juliann Bi
https://docs.google.com/file/d/0B1hIAbBD0rpEY21vYmRicDY5WDA/edit?pli=1
What’s Ishmael about?
This YouTube review does an amazing job of answering that question in under two minutes!
Daniel said about it, “I couldn’t have done better (or even as well).” It will remind you of all the things you love and admire about this book, but that’s not really the point. It’s tailor-made for you to give to people who ask that dreaded question, “What’s it about?”
It’s simply a terrific tool for anybody who’s said to their friends, “You’ve GOT to read this book!”
Watch it here: https://www.youtube.com/watch?v=7um8unEn4hU
WRITINGS, TALKS, REVIEWS, TRIBUTES
At the 2011 International Conference on Sustainability, Transition and Culture Change: Vision, Action and Leadership, Timothy Bennett, director of the film What A Way to Go: Life at the End of Empire and author of the novel All of The Above, spoke eloquently on Daniel’s work.
Tim said his aim in his talk was not to speak for Daniel . . . but to bring him into the room as a living, vital soul whose work “lives in me . . . taking the way of seeing that you first showed me was possible and focusing it on the matters of vision, action, and leadership on which the conference is focused.”
After listening to Tim talk, Daniel wrote to him, “You have revived hope in my own usefulness!”
In his Chicago Tribune article “Ishmael by Daniel Quinn and the movement it inspired” Pete Reinwald takes a new look at Ishmael ten years after his first reading of it.
‘Ishmael’ by Daniel Quinn and the movement it inspired
By Pete Reinwald
Chicago Tribune
July 13, 2013
This is a story about a blue crab killed for no good reason.
It is a story about birth and rebirth, law and life, nature and nurture, cooperation and connection, cultivation and civilization, production and destruction, seed and greed, Adam and Eve.
It is a story about “Ishmael.”
“Ishmael,” a 1992 Daniel Quinn novel, sounded an alarm on civilization’s war on Earth, embarked on 10,000 years ago at the beginning of the agricultural revolution. It illuminated the way in which that revolution continues with blindness and madness, killing or swallowing all life — plant, creature or human — that stands in the way of its appetite for expansion. It urged us to wake up.
The book inspired discussion groups worldwide through The Friends of Ishmael Society, and it prompted schools and teachers to include it in their curricula. Some still do.
I came upon the book almost 10 years ago during a time in which my heart — perhaps remembering a life-inspiring lesson from childhood — beat for books about the natural world, especially those that carried a historical, cultural or spiritual component. Thoreau’s “Walden” begot Derrick Jensen’s “A Language Older than Words,” which begot Riane Eisler’s “The Chalice & the Blade,” with some Barbara Kingsolver mixed in. The latter two books beautifully bemoaned loss — “Language” the loss of our connection to the stars and streams, “Chalice” the loss of our connection to the sacred feminine. Both books explored an insane world run by men.
“Ishmael” featured an inviting subtitle: “An Adventure of the Mind and Spirit.” It also carried on the cover this blurb by Jim Britell of Whole Earth Review: “From now on, I will divide the books I have read into two categories — the ones I read before Ishmael and those read after.”
I now divide the books I have read into two categories — the ones that slap me in the face and the ones that don’t. “Ishmael” slapped me in the face: Humanity isn’t destroying the earth. One culture that now rules the globe is destroying the earth. That is our culture, whose objective is to bulldoze everything in its way and to put everybody at the wheel. The objective is food production and growth, and the target is any forest and any life — plant, animal or human — that occupies it. This is true whether in Brazil, China, Russia or the United States. Our culture won’t stop until it devours everything, including itself.
My grandparents passed this culture to my parents, who passed it to me. I passed it to my kids, who no doubt will pass it to theirs. We do so unwittingly, much the way we commuters sleepwalk en masse from the train to our office buildings, unconscious but of our iPhones. As the book points out, we’re on a crash course.
I’ve been thinking about “Ishmael” lately because of a new book I just finished: “Life’s Operating Manual,” by Tom Shadyac, director of films such as “Bruce Almighty” and “Ace Ventura: Pet Detective.” I read it because of the story of Shadyac, who sold his Hollywood mansion and moved into a mobile-home park. He writes in his book that he did that and gave away money because “it felt like the right thing to do.”
Shadyac’s book, broader in its cultural message and more spiritually focused than “Ishmael,” told me little new. But it did offer strong reminders on ideas that resonate with me, such as the value of true wealth over material wealth (“I do not wish to redistribute wealth; I wish to redefine it,” Shadyac writes); the problem of a cultural mentality that inspires competition and profit over cooperation and people; and the importance of our culture to recognize and embrace our connection to all things — each other and nature.
The book also pays tribute to “Ishmael” and to Quinn, its author. Shadyac writes: “Ishmael” grabbed “me by my throat in a literary vise grip. Quinn’s chokehold is rooted in a simple idea: that our culture has seduced us, hypnotized us really, into wholeheartedly embracing a way of life that may have little to do with reality.”
Shadyac’s book prompted me to read “Ishmael” again and to write about it.
Early in the book, a man, the narrator, answers a newspaper ad that says:
“TEACHER seeks pupil. Must have an earnest desire to save the world. Apply in person.”
The narrator meets the teacher — Ishmael, a thousand-pound gorilla who communicates telepathically. Using the Socratic method, Ishmael implores the narrator to think for himself on “how things came to be this way” and to come to the understanding that our culture has been enacting a story from the book of Genesis: that Man is here to conquer the earth.
Ishmael separates humans into two groups — “Leavers” and “Takers.” “Leavers” formed cultures that thrived for thousands of years before the agricultural revolution — hunters and gatherers, herders, indigenous societies. Those cultures lived lightly and took only what they needed. “Takers” are us — the people who killed or annexed those cultures and continue to do so; logging and farming in the Amazon threatens some of the last uncontacted tribes on Earth.
“Mother Culture teaches you that this is as it should be,” Ishmael tells the narrator. “Except for a few thousand savages scattered here and there, all the peoples of the earth are now enacting this story. This is the story man was born to enact [according to the mythology], and to depart from it is to resign from the human race itself. . . . There’s no way out of it except through death.”
Unlike “Leaver” societies, which sustained themselves and the natural world for thousands of years, our “Taker” society will run out of things to kill and will die. Quinn likens the agricultural revolution to humans’ first attempts at flight. Those attempts failed because we tried to mimic a bird. Only when we discovered the law of aerodynamics did we learn to fly.
Through “Ishmael,” Quinn argues that no law or theory underpins “Taker” culture — and that’s why it has been in free fall since its adoption.
Quinn emphasizes that the natural world, which includes “Leaver” cultures, sustains itself through what he calls the law of limited competition. Under this peace-keeping law, he says, you may not hunt down competitors or deny them food or access to it. You also may not commit genocide against your competition.
“And only once in all the history of this planet has any species tried to live in defiance of this law — and it wasn’t an entire species, it was only one people, those I’ve named the Takers,” Ishmael tells the narrator. “Ten thousand years ago, this one people said, ‘No more. Man was not meant to be bound by this law,’ and they began to live in a way that flouts the law at every point.”
People have asked me why I don’t just become a hunter-gatherer. I have no interest in becoming a hunter-gatherer — and I know my wife, who focuses on the good in our society, wouldn’t, either. I wouldn’t know what to do and especially where to go. My problem is less with civilization than the aggressiveness and mindlessness of this one. As Quinn points out in “Ishmael,” civilization isn’t against the law of limited competition; it’s subject to the law of limited competition.
While writing this essay, I took a break to go with my wife and son to see the Chicago Symphony Orchestra perform at the Morton Arboretum. As I listened, I thought about all the beauty this culture has produced.
Yet I yearn to live in a civilization that blends less madness with its music. I yearn to live in a civilization that redefines not only wealth but profit. A new shopping center and fast-food restaurant turns up trees by the roots but lifts no spirit. A lawn built on chemical products kills the dandelion but misses the miracle. A daytime flight over Chicago anticipates the skyline but ignores the slaughter. I yearn to live in a civilization that aviates consciously.
I know of like minds who found inspiration in “Ishmael.”
“When I was a legal advocate for chemical victims, I was already well aware of the distorted values at work in our culture,” Earon Davis, a former Chicago resident who recently moved to Bloomington, Ind., wrote in an email. “‘Ishmael’ helped me to see that our entire society’s sustainability and adaptability were being jeopardized by corrupted group-think in our mainstream culture.”
Davis said he tried to establish a Chicago-based discussion group related to “Ishmael” but got limited participation. He continues to lead a Web-based discussion group, which sees little activity.
“I can see how most people who are initially drawn to ‘Ishmael’ need to back away from the message of Quinn in order to focus on earning a living, raising a family, and living a ‘normal’ life,” he wrote.
Barbara Ridd said she incorporates “Ishmael” into the curriculum of a course called Ecology of Personal Life at DePaul University’s School for New Learning. She said the book offends some students who feel it questions the Bible.
“I think that closes those people off to the greater message, that we have to take stock of ourselves,” she said. “I think that sometimes, when given such a blunt look at our existence as mankind, people don’t like that as well.”
Laura M. Hartman, assistant professor of religion at Augustana College in Rock Island, said she read “Ishmael” for two courses as an undergraduate at Indiana University. “The general concept of ‘Takers’ and ‘Leavers’ still resonates with me,” she said. Yet she sees a weakness in the book: Instead of providing instructions on how to change the world, Quinn appeals for changed minds.
“The clock is ticking,” she said. “We don’t have time to make these inner transformations.”
This essay serves as an attempt to inspire transformations, anyway.
Now, about that blue crab.
I was about 9 years old. My father had long left us, and my mother had met the man who would raise me. We lived on a canal in Florida. He liked hunting and fishing, and he had a tremendous love and respect for nature. I liked baseball and football. I couldn’t bear the sight of a dead fish or animal — and I especially couldn’t kill one. So I rarely would go hunting or fishing with him.
But I desperately wanted to please him. One day, I lost my childhood senses and, for a moment, all that I loved. I spotted a blue crab in the canal in about two feet of water. I grabbed the gig that my stepfather kept by the canal. I thrust the gig into the water and speared the crab though her core. I raised the gig from the water, the crab moving its claws and legs as if searching for food or for any sense in this.
I ran joyfully to my stepfather, carrying the gig and the mortally wounded crab at the end of it as my trophy, and showed him what I’d just done for him. I told him I thought he’d want it for dinner. I expected a “that’s my boy” and a hug. I got a scolding. I got a demand that I eat what I’d just killed.
I got the lesson of my life — a lesson and law that I’ve carried with me, passed to my children and hope that they pass to theirs: You may not kill any member of the community of life for no good reason.
Pete Reinwald is the lead editor on the Tribune’s e-books project and an editor for Printers Row Journal.
Books discussed
“Ishmael”
By Daniel Quinn, Random House, 272 pages, $18 paperback
“Life’s Operating Manual”
By Tom Shadyac, Hay House, 247 pages, $19.95
More Daniel Quinn
Quinn, who attended Loyola University Chicago, expands on his urgent cultural theme in “The Story of B,” which is every bit as good as “Ishmael” — some say better — and can be read first. He wraps up a trilogy of sorts with “My Ishmael.”
Click here to read the article on the Chicago Tribune’s website.
Copyright © 2019, Chicago Tribune
The Unsustainability and Origins of Socioeconomic Increase
A master’s thesis for the City University of New York Graduate Center’s Master of Arts in Liberal Studies program
by Mark S. Meritt
About Mark’s master’s thesis Daniel said, “Incredibly, you’ve made more sense of my ideas than I knew was there! (And negotiated your way around all the pitfalls that suck in so many of my readers.)”
Download the PDF of The Unsustainability and Origins of Socioeconomic Increase
Mark S. Meritt’s website:
http://potluck.com/2001/01/the-unsustainability-and-origins-of-socioeconomic-increase/
Daniel Quinn, Teacher, Author of Ishmael, Dies at 82
by j. Snodgrass
Vine Deloria wrote,
“When ecologists find a predictable life-span of a generation separating us from total extinction, it would seem that we have a duty to search for another interpretation of mankind’s life story.”
Daniel Quinn responded:
“What a curious thing to say.
Because we’re on the verge of extinction, we should look for another interpretation of mankind’s life story?
What difference does a story make?
It makes a difference. Because the story we have, we are enacting.
We are making it come true.
And in making it come true, we are pushing ourselves toward extinction.”
(Daniel Quinn, The Book of the Damned)
…
What difference does a story make?
In Daniel Quinn’s books, he examined the fundamental narratives of our culture – pessimistic stories about humanity being naturally destructive, damned and doomed from the start. He took what I had been taught about “human nature” and exposed it as mythology.
He also warned that these myths were self-fulfilling prophecies – when we think of humanity as “fallen” or “cursed” it can give us permission to live in destructive ways.
But Quinn’s writings were not hopeless. Rather, he encouraged his readers to re-examine the story our culture is telling and enacting, and consider a more positive and sustainable story we could be living in.
Read the rest of the article here.
Lisa Wells read Ishmael when she was 16 and then went on a life changing journey, finally winding up for a chat in the living room of Rennie & Daniel Quinn.
Read her story here: https://nplusonemag.com/online-only/online-only/the-blaze/
Sam Sycamore, a writer, musician, and radical ecologist from Kentucky, (currently residing off-grid in the mountains of Santa Cruz County, California) did a wonderful podcast tribute to Daniel. In the preamble to his podcast Sam eloquently writes:
“For those of us seeking an alternative way of life outside the confines of civilization, Daniel Quinn has had an immense impact on our collective worldview through this bold and unique books.
Beginning with Ishmael, in which we are introduced to the kinds of insights about civilization that only a captive gorilla could elucidate, Quinn took a fearless approach to questioning the very roots of our modern society, and dissecting the absurd narratives that we tell ourselves regarding our participation in the calamitous mess of civilization.
Most important, though – I think – is his message that the world doesn’t need to be saved because we as a species are simply not capable of destroying it in the first place. Furthermore, humanity itself is not the cancer on the Earth’s surface that many would have you believe it is. It’s just this one culture that has come to dominate the global landscape, as well as the inner landscapes of our minds, that now threatens life (as we know it) on this planet.
Because of course, civilization is not merely a place—it’s a way of organizing your lifestyle and orienting your goals as a community. And it’s not a very good one, either.
What comes “beyond” civilization? Quinn couldn’t tell us precisely, and neither can I. But now that he has passed, it’s up to us to work it out. I hope you’ll join me in doing just that.”
Thank You, Daniel Quinn, For Convincing Me Not to Save the World
You can listen to it here: http://thegoodliferevival.com/podcast/34
Ryan Cove used to work as a bookseller and Ishmael was his “staff pick”. Ryan sold over 5,000 copies of Ishmael!
In this video he gives his “sales pitch” to customers for his favorite novel of all time, Ishmael by Daniel Quinn.
Why you should read Ishmael by Daniel Quinn:
DANCE
When she was just 17 and a student in the Pittsburgh Ballet Theatre Pre-Professional Program, Jennifer Grahnquist created two short ballets, “Vie” and “Travail and Jeu”, which you can view here.
Her first, “Vie” grew out of her reading of Ishmael. The second, “Travail and Jeu” (Work and Play), is based on the “Tunes & Dancers” chapter of My Ishmael.
Jennifer is now a teacher at a Waldorf school and she dances, sings, and acts in her local community theater.
ORGANIZATIONS
Chris Hardie, and a few other Ishmael fans, started an organization called IshCon. From 1999 to 2007 it was a thriving online community that also had many in-person conferences and events.
In April 2019 Chris wrote a tribute to Dan and in it Chris talks about IshCon and the history of that organization.
Remembering Daniel Quinn
April 2, 2019
Chris Hardie
excerpt…
I do not claim to have known Dan very well, but every time I talked with him or saw him in person, I experienced him as a grounded, authentic, kind, and intensely intelligent person. He had a contemplative nature, and I always appreciated that when asked a question about his work or his ideas, he would listen carefully and then pause for as long as he needed to provide a thoughtful, intentional answer. If he didn’t know or couldn’t form a useful response, he just said so. He was keenly aware of the power of words to persuade, convince, change minds and alter the course of history, and so he also seemed wary of uttering something that could be misinterpreted, re-appropriated or used to stuff his very not-mainstream ways of thinking into a comfortable mainstream box. He didn’t have much patience for people who weren’t trying to think for themselves or learn from past mistakes.
Because of the power of his books, many people wanted Dan to be their leader: the leader of their movement or their project or their personal journey through the world, or all of the above. I was always careful about not worshipping Dan himself or of not elevating his writing as sacred texts. But I guess I did help to start a group of people and a series of events centered around his work that jokingly referred to ourselves as a “cult of Ishmael” — sorry, Dan.
That group and those events were called IshCon…click here to read the entire article
In 2002 The Friends of Ishmael Society was originated by, and organized and coordinated directly by, readers who were inspired to publicize the work of Daniel Quinn. It was a way to help coordinate and offer tools to the many readers throughout the world working to spread the message of Daniel’s work.
Its website contains a wealth of information–about what readers have been inspired to do, connecting with local groups, tools for reaching out to others, and more. The Society is in no way connected to Daniel, but it has proved a valuable asset for countless readers of his work.
The ishmael Society website may be useful for those of you who have not latched onto social media as your main connection to others, and would rather connect to local groups (though these groups may no longer exist).
Check it out here: http://www.friendsofishmael.org/index.shtml (Please note that many links from this site may no longer be valid.)
ReadIshmael.com another website created by readers that’s been around for a long time, so we can’t guarantee that all the links work or that all the information is correct or up-to-date.
Check it out here: http://www.readishmael.com/readishhome.html
CORPORATE CULTURE
In 1994 Daniel received a letter from Ray Anderson (1934-2011), founder and CEO of Interface, Inc., the world leader in modular carpeting. In it he said that after a speech he gave at Georgia Tech, a professor in the audience sent him a copy of Ishmael.
Ray had already begun the work of transforming Interface into a model of sustainablilty, spurred on by Paul Hawken’s The Ecology of Commerce, another book that had been sent to him out of the blue.
After Ray’s death, an Interface employee wrote to Daniel and told him that, as important artifacts to honor Ray’s life were gathered, his personal and dog-eared copies of Hawken’s and Quinn’s books were side-by-side in a place of honor. “[Ray] always described them as the source of the ‘What and Why’ of his vision. In his mind, neither would have been sufficient to establish the breadth of his vision or the depth of his resolve.” (Hawken tells what’s wrong, and Quinn explains why.)
With a changed mind about corporate responsibility, Ray transformed his company into a stellar example of how a multinational corporation can significantly reduce its environmental footprint while maintaining and improving profitability.
He steered the company away from the typical take-make-waste business model toward one that’s renewable, cyclical, and benign. In 1994, Interface, Inc., pledged to reduce their negative impact on the environment with Mission Zero. They are poised to meet their goals by 2020.
Daniel was invited to be the keynote speaker at the 1995 “VISION 2000: Renewing the World Within” conference organized by Interface. Please see EVENTS for more info on that fantastic conference.
The story of Ray Anderson and Interface was always told by Daniel as an example of what one person could do to effect change in his or her particular sphere of influence. “Taming the Big Bad Wolf” in ESSAYS is Daniel’s telling of that story.
Daniel Quinn and Ray Anderson at VISION 2000: Renewing the World Within
The Ray C. Anderson Foundation is a not-for-profit 501(c)3 organization whose mission is to promote and advance the concepts of sustainable production and consumption.
PHOTO OP
Longtime supporter and promoter of Quinn books, Howard Ditkoff, found a unique opportunity to introduce them in the photo accompanying an article that appeared in his local newspaper about him and a surprising career switch.
See it here: http://beingatwork.com/Articles/TDN-12-04-06.htm
ROLE PLAYING GAME
This very deep and sophisticated role-playing game called “The Fifth World,” was created by Jason Godesky, who said that he spent “the better part of a decade” designing this game, which is “intended to draw players into an animist experience and present a positive vision of the sort of neotribal future we could one day create.”
How did the Fifth World get to be the fifth? The First was The world before life; Second, The world of life before Man; Third, The world of Man before the birth of civilization; Fourth, The world of civilization; and Fifth, The neotribal world that emerges after the collapse of civilization.
Enter it here: https://thefifthworld.com/